http://wiki.aki-stuttgart.de/mediawiki/index.php?title=Cola_Beaucamp&feed=atom&action=history Cola Beaucamp - Versionsgeschichte 2024-03-28T21:04:40Z Versionsgeschichte dieser Seite in AkiWiki MediaWiki 1.16.2 http://wiki.aki-stuttgart.de/mediawiki/index.php?title=Cola_Beaucamp&diff=60145&oldid=prev Wiki: "Zen ist eine Lehre, die dir beibringt, dich selbst zu lehren. 2020-05-24T11:43:23Z <p>&quot;Zen ist eine Lehre, die dir beibringt, dich selbst zu lehren.</p> <table style="background-color: white; color:black;"> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr valign='top'> <td colspan='2' style="background-color: white; color:black;">← Nächstältere Version</td> <td colspan='2' style="background-color: white; color:black;">Version vom 24. Mai 2020, 11:43 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno">Zeile 1:</td> <td colspan="2" class="diff-lineno">Zeile 1:</td></tr> <tr><td class='diff-marker'>-</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">=</del>==[[Cola Beaucamp]] <del class="diffchange diffchange-inline">=</del>==</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>==[[Cola Beaucamp]] ==</div></td></tr> <tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>-</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del style="color: red; font-weight: bold; text-decoration: none;">Aachen * 06.12.1894 </del></div></td><td colspan="2">&nbsp;</td></tr> <tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>-</td><td style="background: #ffa; color:black; font-size: smaller;"><div>Tutzing + 09.08.1984</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">==Aachen * 06.12.1894 ==</ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>&#160;</div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">==</ins>Tutzing + 09.08.1984<ins class="diffchange diffchange-inline">==</ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>&#160;</div></td></tr> <tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>Dora Fanny von Hößlin * München 27.04.1903 + Tutzing 08.09.1982</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>Dora Fanny von Hößlin * München 27.04.1903 + Tutzing 08.09.1982</div></td></tr> <tr><td colspan="2" class="diff-lineno">Zeile 51:</td> <td colspan="2" class="diff-lineno">Zeile 53:</td></tr> <tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>Ten years before Virginia Woolf called for a room of one’s own, this radical poet paved the way for literary feminists.</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>Ten years before Virginia Woolf called for a room of one’s own, this radical poet paved the way for literary feminists.</div></td></tr> <tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>By TERESE SVOBODA</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>By TERESE SVOBODA</div></td></tr> <tr><td class='diff-marker'>-</td><td style="background: #ffa; color:black; font-size: smaller;"><div>February 22, <del class="diffchange diffchange-inline">2016Add to Pocket</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>February 22, <ins class="diffchange diffchange-inline">2016</ins></div></td></tr> <tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>-</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del style="color: red; font-weight: bold; text-decoration: none;">Subscribe</del></div></td><td colspan="2">&nbsp;</td></tr> <tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>Radical poet Lola Ridge’s landmark presentation, “Women and Creative Will,” given on February 25, 1919, was the first of five lectures by poets from the Speakers Bureau of the modernist magazine, Others. Although poet and chess master Alfred Kreymborg claimed to have thought up the Bureau, it could well have been Ridge’s idea since her friend, anarchist Emma Goldman, had been doing such tours for decades. Other historians said it was conceived by William Saphier, funded by salonniere Margery Currey and directed by writer and lawyer Mitchell Dawson, but Ridge certainly helped organize the tour from the New York end.</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>Radical poet Lola Ridge’s landmark presentation, “Women and Creative Will,” given on February 25, 1919, was the first of five lectures by poets from the Speakers Bureau of the modernist magazine, Others. Although poet and chess master Alfred Kreymborg claimed to have thought up the Bureau, it could well have been Ridge’s idea since her friend, anarchist Emma Goldman, had been doing such tours for decades. Other historians said it was conceived by William Saphier, funded by salonniere Margery Currey and directed by writer and lawyer Mitchell Dawson, but Ridge certainly helped organize the tour from the New York end.</div></td></tr> <tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>-</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del style="color: red; font-weight: bold; text-decoration: none;">MOST POPULAR</del></div></td><td colspan="2">&nbsp;</td></tr> <tr><td class='diff-marker'>-</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del style="color: red; font-weight: bold; text-decoration: none;">Why the Pandemic Is Driving Conservative Intellectuals Mad</del></div></td><td colspan="2">&nbsp;</td></tr> <tr><td class='diff-marker'>-</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del style="color: red; font-weight: bold; text-decoration: none;">The Unmattering of Black Lives</del></div></td><td colspan="2">&nbsp;</td></tr> <tr><td class='diff-marker'>-</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del style="color: red; font-weight: bold; text-decoration: none;">Rebuilding Retirement After the Pandemic</del></div></td><td colspan="2">&nbsp;</td></tr> <tr><td class='diff-marker'>-</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del style="color: red; font-weight: bold; text-decoration: none;">Blow Up the Restaurant Industry and Start Over</del></div></td><td colspan="2">&nbsp;</td></tr> <tr><td class='diff-marker'>-</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del style="color: red; font-weight: bold; text-decoration: none;">The Deranged Civic Religion of the Lockdown Protesters</del></div></td><td colspan="2">&nbsp;</td></tr> <tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>“Respectable, high-minded persons are given to classifying writers of vers libre with dog stealers, ticket scalpers, wife deserters, and the Bolshevikii” begins “Miss Ridge to the Rescue,” the newspaper announcement of Ridge’s talk as the first of the series. The poets delivered their speeches up the elegant glass-doored elevator, past the panels of dark wood and pre-Raphaelite murals into the drama school of the Anna Morgan Studios in Chicago’s Fine Arts Building, the epicenter of Chicago’s bohemian art scene.</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>“Respectable, high-minded persons are given to classifying writers of vers libre with dog stealers, ticket scalpers, wife deserters, and the Bolshevikii” begins “Miss Ridge to the Rescue,” the newspaper announcement of Ridge’s talk as the first of the series. The poets delivered their speeches up the elegant glass-doored elevator, past the panels of dark wood and pre-Raphaelite murals into the drama school of the Anna Morgan Studios in Chicago’s Fine Arts Building, the epicenter of Chicago’s bohemian art scene.</div></td></tr> <tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td colspan="2" class="diff-lineno">Zeile 73:</td> <td colspan="2" class="diff-lineno">Zeile 68:</td></tr> <tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>“I shall try to show that woman has not only a creative will, but a very great future in creative art,” Ridge declared at the onset of her speech.</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>“I shall try to show that woman has not only a creative will, but a very great future in creative art,” Ridge declared at the onset of her speech.</div></td></tr> <tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>-</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del style="color: red; font-weight: bold; text-decoration: none;">TNR Newsletters. Must reads. 5 days a week.</del></div></td><td colspan="2">&nbsp;</td></tr> <tr><td class='diff-marker'>-</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del style="color: red; font-weight: bold; text-decoration: none;">Sign Up Now</del></div></td><td colspan="2">&nbsp;</td></tr> <tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>Genius. . . is composed of the male and female principles of mental order and intuition vitalized by spiritual energy. . . And a work of creative art requires a union of these principles, just as the act of physical creation requires them. . . And for this reason—the dual sexuality of genius—men and women so gifted usually show characteristics of both sexes. . .</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>Genius. . . is composed of the male and female principles of mental order and intuition vitalized by spiritual energy. . . And a work of creative art requires a union of these principles, just as the act of physical creation requires them. . . And for this reason—the dual sexuality of genius—men and women so gifted usually show characteristics of both sexes. . .</div></td></tr> <tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td colspan="2" class="diff-lineno">Zeile 101:</td> <td colspan="2" class="diff-lineno">Zeile 94:</td></tr> <tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>But she sensed that the project wasn’t going to be popular. “People hate to mistake you for a lamb and then catch the glint of teeth,” she wrote after her presentation in Chicago. She never completed the book and finally discarded it nine years later when Viking, then her publisher, withdrew its support on the grounds that she would have no readers.</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>But she sensed that the project wasn’t going to be popular. “People hate to mistake you for a lamb and then catch the glint of teeth,” she wrote after her presentation in Chicago. She never completed the book and finally discarded it nine years later when Viking, then her publisher, withdrew its support on the grounds that she would have no readers.</div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>This piece has been adapted from the author’s book Anything That Burns You: Lola Ridge, Radical Poet, out this month from Schaffner Press.</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>This piece has been adapted from the author’s book Anything That Burns You: Lola Ridge, Radical Poet, out this month from Schaffner Press.</div></td></tr> <tr><td class='diff-marker'>-</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del style="color: red; font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2">&nbsp;</td></tr> <tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>https://newrepublic.com/article/130144/forgotten-feminism-lola-ridge?fbclid=IwAR1-vr7LExbJwFn6-UgmZMUbjKFi53Z8IRcj0-_QA12XbILBTtj110IZAeI</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>https://newrepublic.com/article/130144/forgotten-feminism-lola-ridge?fbclid=IwAR1-vr7LExbJwFn6-UgmZMUbjKFi53Z8IRcj0-_QA12XbILBTtj110IZAeI</div></td></tr> <tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>-</td><td style="background: #ffa; color:black; font-size: smaller;"><div>Née Emily Ridge à Dublin, en Irlande en 1873, Lola Ridge était une poète et une championne de la classe ouvrière. Elle a été décrite comme communiste, socialiste, marxiste et anarchiste politiquement active, tout cela avant que ces choses ne deviennent à la mode chez les intellectuels new-yorkais. Ridge a participé à des manifestations, des marches et des piquets avec un esprit féroce. Son écriture est vigoureuse et électrique. Ses publications comprennent Firehead (1930), Red Flag (1927), Sun-up, and Other Poems (1920), and The Ghetto, and Other Poems (1918) . Ridge a fait ses débuts littéraires en Amérique du Nord dans le journal Overland Monthly, qui la décrivait comme «une jeune poète et artiste australienne, qui n'est pas sans renommée dans son propre pays». En avril 1909, elle avait publié un poème dans la revue radicale d'Emma Goldman, Mother Earth. Après la mort de sa mère en 1907, elle s'est réinventée en tant que Lola Ridge, poète et peintre, et s'est décrite comme n'ayant que 23 ans. Ce mensonge sur son âge a plus tard fait remarquer à ses amis sa mauvaise santé prématurée et sa délicatesse. Quand elle est morte de tuberculose pulmonaire en 1941, même le New York Times a imprimé son âge à 57 ans et non à 67 ans.</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>&#160;</div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">==</ins>Née Emily Ridge à Dublin, en Irlande en 1873, <ins class="diffchange diffchange-inline">==</ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Lola Ridge était une poète et une championne de la classe ouvrière. Elle a été décrite comme communiste, socialiste, marxiste et anarchiste politiquement active, tout cela avant que ces choses ne deviennent à la mode chez les intellectuels new-yorkais. Ridge a participé à des manifestations, des marches et des piquets avec un esprit féroce. Son écriture est vigoureuse et électrique. Ses publications comprennent Firehead (1930), Red Flag (1927), Sun-up, and Other Poems (1920), and The Ghetto, and Other Poems (1918) . Ridge a fait ses débuts littéraires en Amérique du Nord dans le journal Overland Monthly, qui la décrivait comme «une jeune poète et artiste australienne, qui n'est pas sans renommée dans son propre pays». En avril 1909, elle avait publié un poème dans la revue radicale d'Emma Goldman, Mother Earth. Après la mort de sa mère en 1907, elle s'est réinventée en tant que Lola Ridge, poète et peintre, et s'est décrite comme n'ayant que 23 ans. Ce mensonge sur son âge a plus tard fait remarquer à ses amis sa mauvaise santé prématurée et sa délicatesse. Quand elle est morte de tuberculose pulmonaire en 1941, même le New York Times a imprimé son âge à 57 ans et non à 67 ans.</div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>&#160;</div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>&#160;</div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>&#160;</div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">&quot;Zen ist eine Lehre, die dir beibringt, dich selbst zu lehren. </ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Zen ist ein Handwerk (eine Fähigkeit, die man durch Übung und Geschick erlernen kann). Zen ist eine von Mitgefühl durchdrungene Vision für alle fühlenden Wesen.&quot;</ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">- Zentatsu Baker Roshi</ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">https://www.dharma-sangha.de/uber-uns</ins></div></td></tr> </table> Wiki http://wiki.aki-stuttgart.de/mediawiki/index.php?title=Cola_Beaucamp&diff=60138&oldid=prev Wiki: The Forgotten Feminism of Lola Ridge 2020-05-23T18:31:24Z <p>The Forgotten Feminism of Lola Ridge</p> <table style="background-color: white; color:black;"> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr valign='top'> <td colspan='2' style="background-color: white; color:black;">← Nächstältere Version</td> <td colspan='2' style="background-color: white; color:black;">Version vom 23. Mai 2020, 18:31 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno">Zeile 43:</td> <td colspan="2" class="diff-lineno">Zeile 43:</td></tr> <tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>[[Kategorie:Mensch]]</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>[[Kategorie:Mensch]]</div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">The Forgotten Feminism of Lola Ridge</ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">Ten years before Virginia Woolf called for a room of one’s own, this radical poet paved the way for literary feminists.</ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">By TERESE SVOBODA</ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">February 22, 2016Add to Pocket</ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">Subscribe</ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">Radical poet Lola Ridge’s landmark presentation, “Women and Creative Will,” given on February 25, 1919, was the first of five lectures by poets from the Speakers Bureau of the modernist magazine, Others. Although poet and chess master Alfred Kreymborg claimed to have thought up the Bureau, it could well have been Ridge’s idea since her friend, anarchist Emma Goldman, had been doing such tours for decades. Other historians said it was conceived by William Saphier, funded by salonniere Margery Currey and directed by writer and lawyer Mitchell Dawson, but Ridge certainly helped organize the tour from the New York end.</ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">MOST POPULAR</ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">Why the Pandemic Is Driving Conservative Intellectuals Mad</ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">The Unmattering of Black Lives</ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">Rebuilding Retirement After the Pandemic</ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">Blow Up the Restaurant Industry and Start Over</ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">The Deranged Civic Religion of the Lockdown Protesters</ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">“Respectable, high-minded persons are given to classifying writers of vers libre with dog stealers, ticket scalpers, wife deserters, and the Bolshevikii” begins “Miss Ridge to the Rescue,” the newspaper announcement of Ridge’s talk as the first of the series. The poets delivered their speeches up the elegant glass-doored elevator, past the panels of dark wood and pre-Raphaelite murals into the drama school of the Anna Morgan Studios in Chicago’s Fine Arts Building, the epicenter of Chicago’s bohemian art scene.</ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">Chicago was hot, at least in terms of poetry. The Jackson Park Art Colony of writers at the time—Pulitzer Prize-winner Carl Sandburg, Harriet Monroe, Sherwood Anderson, Edgar Lee Masters, Ben Hecht and soon-to-be New Yorker Margaret Anderson—circled around critic Floyd Dell who had moved with his wife into the old concession stands of the Columbian Exposition.</ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">In anxious preparation before her engagement in Chicago, Ridge kept changing the title of the speech on individualism, a lecture that might have mentioned Nietzsche, Stirner, and Ibsen, the triumvirate that stressed independence and self-reliance over social expectations. Or she could have taken a less political stance to the subject. According to contemporary anarchist Murray Bookchin, “individualist anarchism remained largely a bohemian lifestyle, most conspicuous in its demands for sexual freedom and enamored of innovations in art, behavior, and clothing.” Right before her arrival, Ridge decided on giving the speech, “Woman and Creative Will.”</ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">“They say there never has been, there is not, and there never will be a really great woman artist,” Ridge begins her speech, 52 years before Linda Nochlin asked, “Why have there been no great women artists?” and ten years before Virginia Woolf published “A Room of One’s Own.”</ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">“I shall try to show that woman has not only a creative will, but a very great future in creative art,” Ridge declared at the onset of her speech.</ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">TNR Newsletters. Must reads. 5 days a week.</ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">Sign Up Now</ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">Genius. . . is composed of the male and female principles of mental order and intuition vitalized by spiritual energy. . . And a work of creative art requires a union of these principles, just as the act of physical creation requires them. . . And for this reason—the dual sexuality of genius—men and women so gifted usually show characteristics of both sexes. . .</ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">The biological explanation of woman’s inferior status, she says, is only half true. “Even Nietzsche, Schopenhauer and Strindberg—three of women’s most hostile critics—have agreed. . . in granting [woman] the largest share of intuition.” Positing that intuition is the “first requisite of what we call genius,” she divides intuition into male and female principles which “must be united in one individual before we can have that perfect expression that results in a work of great creative art.” The male principle is “the power of correlating thought” and the female’s is “the ability of the mind to grasp truth with a minimum of effort.” These two principles must be “coupled with an intense urge to expression” which is “easily squandered” in the “arduous years of child-bearing.”</ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">There is no separating the body from the mind. “Genius is a quality of the spirit rather than of the brain, and spirit is as much permeated with sex as the flesh.” Ridge asserts as popular belief that if a woman should create something of genius, she is not a woman. “In order to prove that no woman ever has been or ever could be a creative artist, [philosophers and critics generally] have said that. . . all the women of genius are. . . men.”</ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">But—and this is Ridge paraphrasing sexologist Havelock Ellis—homosexuality “is found in a greater proportion of male geniuses but no woman has yet made herself ridiculous by asserting that men of genius are women.” She sees that “the [male] artist is naturally predatory. His soul sits like a patient spider, throwing out infinite antennae, clutching and drawing within,” and writes that he allows women in the salons solely for his own stimulation.</ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">Her most vivid example of the opportunities withheld from women is illustrated in a reversal of genders. The Baroque painter Murillo leaves a canvas unfinished and his “mulatto” works on it without permission but is freed after showing great talent. Ridge postulates that “a girl slave who had the temerity to dream of painting a white Virgin would probably have been raped.” “Sex antagonism has been expressed in every age,” and Ridge speaks of Athens, with its “strange spectacle of artists and philosophers on one side and stunted illiterate, cow-like women on the other” that is saved only by “the so-called courtesans.” She then turned to politics and noted that the “present occupation by women of men’s places in industry” was occurring only because of the war. If it had continued, the women would be once again at the “task of providing fodder for still more deadly cannons.”</ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">She didn’t believe in the promotion of women’s rights “as much as a human rights movement, that stands squarely linked to stand and fall with the rise and fall of the proletariat of the world.” She claimed that “the aspirations of women and the aims of labor are two things that can no longer be dictated by governments” and that fear is the only thing holding them back.</ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">When women have realized “that art must transcend fear, and that thought is a spiritual substance to be molded like clay—they too will be the masters of dreams.” She refused even to acknowledge the still current argument cultural critic Vance Thompson made twenty years earlier: “When with simian— the feminine is nearer the simian than the masculine— ease they imitate the gestures of an artist one must always look in the background for a man.” She saw “a great future for women in creative art.”</ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">She did not waste time blaming men for suppressing women’s creativity, but proposed an androgynous blending between what Drake calls “the male/intellect—female/intuition polarity” that would enable “real equality and an end to sexual antagonism between men and women.” She put it succinctly: “Woman is not and never has been man’s natural inferior.”</ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">She wanted women to work “not merely toward reorganization and reform, but toward the construction of a completely new social and economic fabric”—an insight that anarchist writer Voltairine De Cleyre and Emma Goldman would have agreed with, if not inspired. She was tremendously moved by the Russian Revolution and saw it as the place where feminism would result in liberty for both sexes, part of the “Woman Renaissance” that she felt was taking place at the time. Her contention was that if men and women could work together, America would finally overtake Europe as the intellectual and artistic world leader.</ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">Envisioned as a sort of sideshow for this new strange practice of modernism, the Others Speakers Bureau was to have toured other Midwestern cities, according to the March 1919 issue of the magazine. Ridge was the only one to have spoken in St. Louis where she delivered her “The Growth of Individualism in American Poetry” to a good crowd, and afterwards went on to Chicago. Robert Frost, Vachel Lindsay, Carl Sandburg, and Wallace Stevens were to have lectured in Chicago in the fall and winter. But the first season of the lecture series was its last—no reason given. Nonetheless, William Saphier reported in the next Others issue that “the result [of the tour] was that Lola Ridge, Conrad Aiken, Alfred Kreymborg and William Carlos Williams visited Chicago, addressed hundreds of people, made a great many friends and sold lots of books.”</ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">Ridge’s speech received enough praise (although no reviews) that she repaired to Montreal with unsolicited money given to “individuals working for society along radical lines,” to expand her speech to book-length, with chapters on “Woman’s Creative Past, The Nature of Aesthetic Emotion, Man’s Conception of Womanhood as the Rib, Puritanism and Art, The Bisexual Nature of Genius, The Inner Room, Sex Antagonism, Motherhood and the Creative Will, and Woman’s Future in Creative Art.”</ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">But she sensed that the project wasn’t going to be popular. “People hate to mistake you for a lamb and then catch the glint of teeth,” she wrote after her presentation in Chicago. She never completed the book and finally discarded it nine years later when Viking, then her publisher, withdrew its support on the grounds that she would have no readers.</ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">This piece has been adapted from the author’s book Anything That Burns You: Lola Ridge, Radical Poet, out this month from Schaffner Press.</ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">https://newrepublic.com/article/130144/forgotten-feminism-lola-ridge?fbclid=IwAR1-vr7LExbJwFn6-UgmZMUbjKFi53Z8IRcj0-_QA12XbILBTtj110IZAeI</ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">Née Emily Ridge à Dublin, en Irlande en 1873, Lola Ridge était une poète et une championne de la classe ouvrière. Elle a été décrite comme communiste, socialiste, marxiste et anarchiste politiquement active, tout cela avant que ces choses ne deviennent à la mode chez les intellectuels new-yorkais. Ridge a participé à des manifestations, des marches et des piquets avec un esprit féroce. Son écriture est vigoureuse et électrique. Ses publications comprennent Firehead (1930), Red Flag (1927), Sun-up, and Other Poems (1920), and The Ghetto, and Other Poems (1918) . Ridge a fait ses débuts littéraires en Amérique du Nord dans le journal Overland Monthly, qui la décrivait comme «une jeune poète et artiste australienne, qui n'est pas sans renommée dans son propre pays». En avril 1909, elle avait publié un poème dans la revue radicale d'Emma Goldman, Mother Earth. Après la mort de sa mère en 1907, elle s'est réinventée en tant que Lola Ridge, poète et peintre, et s'est décrite comme n'ayant que 23 ans. Ce mensonge sur son âge a plus tard fait remarquer à ses amis sa mauvaise santé prématurée et sa délicatesse. Quand elle est morte de tuberculose pulmonaire en 1941, même le New York Times a imprimé son âge à 57 ans et non à 67 ans.</ins></div></td></tr> </table> Wiki http://wiki.aki-stuttgart.de/mediawiki/index.php?title=Cola_Beaucamp&diff=56526&oldid=prev Wiki: ausstellung in h bis okt19 = kurt s. 2019-06-02T21:40:48Z <p>ausstellung in h bis okt19 = kurt s.</p> <table style="background-color: white; color:black;"> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr valign='top'> <td colspan='2' style="background-color: white; color:black;">← Nächstältere Version</td> <td colspan='2' style="background-color: white; color:black;">Version vom 2. Juni 2019, 21:40 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno">Zeile 1:</td> <td colspan="2" class="diff-lineno">Zeile 1:</td></tr> <tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>===[[Cola Beaucamp]] ===</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>===[[Cola Beaucamp]] ===</div></td></tr> <tr><td class='diff-marker'>-</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del style="color: red; font-weight: bold; text-decoration: none;">Aachen 06.12.1894 + Tutzing 09.08.1984</del></div></td><td colspan="2">&nbsp;</td></tr> <tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'>-</td><td style="background: #ffa; color:black; font-size: smaller;"><div>Dora Fanny von Hößlin</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Aachen * 06.12.1894 </ins></div></td></tr> <tr><td class='diff-marker'>-</td><td style="background: #ffa; color:black; font-size: smaller;"><div>* München 27.04.1903 + Tutzing 08.09.1982</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>&#160;</div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Tutzing + 09.08.1984</ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>&#160;</div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Dora Fanny von Hößlin * München 27.04.1903 + Tutzing 08.09.1982</div></td></tr> <tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>Neue BienenZeitung</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>Neue BienenZeitung</div></td></tr> <tr><td class='diff-marker'>-</td><td style="background: #ffa; color:black; font-size: smaller;"><div>Deutscher Imkerbund, Imkerbund der DDR. - 1991 <del class="diffchange diffchange-inline">- Snippet-Ansicht</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Deutscher Imkerbund, Imkerbund der DDR. - 1991 <ins class="diffchange diffchange-inline">...</ins></div></td></tr> <tr><td class='diff-marker'>-</td><td style="background: #ffa; color:black; font-size: smaller;"><div>Gedicht von <del class="diffchange diffchange-inline">r </del>Cola Beaucamp: „Ihr Bienen, wie seid ihr nur . in diese Welt gelangt? In diese schöne Welt! - Ein Wunder, uns zu trösten. auf daß wir fühlen, wenn der Geist uns bangt, Im Kleinsten, ...</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Gedicht von Cola Beaucamp: &nbsp;</div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>„Ihr Bienen, wie seid ihr nur . in diese Welt gelangt? In diese schöne Welt! - Ein Wunder, uns zu trösten. auf daß wir fühlen, wenn der Geist uns bangt, Im Kleinsten, ...</div></td></tr> <tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>books.google.de</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>books.google.de</div></td></tr> <tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td colspan="2" class="diff-lineno">Zeile 23:</td> <td colspan="2" class="diff-lineno">Zeile 26:</td></tr> <tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>Festgabe für Wilhelm Hausenstein zum 70. Geburtstag, 17 Juni 1952</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>Festgabe für Wilhelm Hausenstein zum 70. Geburtstag, 17 Juni 1952</div></td></tr> <tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>Wilhelm Emmanuel Süskind - 1952 - 278 Seiten</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>Wilhelm Emmanuel Süskind - 1952 - 278 Seiten</div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>&gt;&gt;&gt; Titel: Griechenland : Hist. Szenen / Cola Beaucamp</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>&gt;&gt;&gt; Titel: Griechenland : Hist. Szenen / Cola Beaucamp</div></td></tr> <tr><td colspan="2" class="diff-lineno">Zeile 35:</td> <td colspan="2" class="diff-lineno">Zeile 39:</td></tr> <tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>...</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>...</div></td></tr> <tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>kurt s. ist seit 2011 in vikipedio. k.</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>kurt s. ist seit 2011 in vikipedio. k.</div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">...</ins></div></td></tr> <tr><td colspan="2">&nbsp;</td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">ausstellung in h bis okt19</ins></div></td></tr> <tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td></tr> <tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>[[Kategorie:Mensch]]</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>[[Kategorie:Mensch]]</div></td></tr> </table> Wiki http://wiki.aki-stuttgart.de/mediawiki/index.php?title=Cola_Beaucamp&diff=44214&oldid=prev Wiki: Kategorie:Mensch 2016-10-16T19:25:59Z <p><a href="/mediawiki/index.php/Kategorie:Mensch" title="Kategorie:Mensch">Kategorie:Mensch</a></p> <p><b>Neue Seite</b></p><div>===[[Cola Beaucamp]] ===<br /> Aachen 06.12.1894 + Tutzing 09.08.1984<br /> <br /> Dora Fanny von Hößlin<br /> * München 27.04.1903 + Tutzing 08.09.1982<br /> <br /> Neue BienenZeitung<br /> Deutscher Imkerbund, Imkerbund der DDR. - 1991 - Snippet-Ansicht<br /> Gedicht von r Cola Beaucamp: „Ihr Bienen, wie seid ihr nur . in diese Welt gelangt? In diese schöne Welt! - Ein Wunder, uns zu trösten. auf daß wir fühlen, wenn der Geist uns bangt, Im Kleinsten, ...<br /> books.google.de<br /> <br /> Cola Beaucamp TRÄNENDES HERZ An des gelben Stromes Ufern Fern in Asien<br /> entsprossen, Ach ! wie kamst Du hergeflogen Herz von Tränen<br /> Übergossen? Heimisch nun in meinem Garten Naher Gruß aus fremden<br /> Reichen.<br /> <br /> Cola Beaucamp FALTERWEISHEIT Kürzlich fragte ich den Falter, Was von<br /> dieser Welt er halte, Wie — was uns bedenklich schiene — Sich beim<br /> Schmetterling gestalte? Was er da mit leichtem Schweben In die blaue<br /> Luft geschrieben, ...<br /> <br /> in:<br /> Festgabe für Wilhelm Hausenstein zum 70. Geburtstag, 17 Juni 1952<br /> Wilhelm Emmanuel Süskind - 1952 - 278 Seiten<br /> <br /> &gt;&gt;&gt; Titel: Griechenland : Hist. Szenen / Cola Beaucamp<br /> &gt;&gt;&gt; Titel: Erfurt 1808 : Historische Szenen / Cola Beaucamp<br /> &gt;&gt;&gt; Titel: Von schönen Dingen / Cola Beaucamp<br /> &gt;&gt;&gt; Titel: Die Staufer : Histor. Szenen / Cola Beaucamp<br /> <br /> .<br /> <br /> Die Kurt und Ernst Schwitters Stiftung ===<br /> wurde von Lola Schwitters, der Schwiegertochter von Kurt Schwitters und Witwe von Ernst Schwitters, einvernehmlich unterstützt durch ihren Sohn Bengt Schwitters, 2001 in Hannover gegründet. Die Stiftung ist im Sprengel Museum Hannover beheimatet.<br /> ...<br /> kurt s. ist seit 2011 in vikipedio. k.<br /> <br /> [[Kategorie:Mensch]]</div> Wiki