Joan Didion - Versionsgeschichte

Wiki: The New York Public Library is opening up its archives of Joan Didion and her husband Gregory Dunne to the public next month, a collection that comprises a total of 336 boxes “most of which have never

2025-02-25T17:07:04Z

The New York Public Library is opening up its archives of Joan Didion and her husband Gregory Dunne to the public next month, a collection that comprises a total of 336 boxes “most of which have never

← Nächstältere Version		Version vom 25. Februar 2025, 17:07 Uhr
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	[[Kategorie:Mensch]]		[[Kategorie:Mensch]]
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		+	The New York Public Library is opening up its archives of Joan Didion and her husband Gregory Dunne to the public next month, a collection that comprises a total of 336 boxes “most of which have never been seen publicly": https://bit.ly/43oPEkP
		+
		+	250225 via fb
		+
		+	...

Wiki: Her evocative quote—"I want you to know, as you read me, precisely who I am and where I am and what is on my mind. I want you to understand exactly what you are getting: you are getting a woman who fo

2024-11-01T13:29:24Z

Her evocative quote—"I want you to know, as you read me, precisely who I am and where I am and what is on my mind. I want you to understand exactly what you are getting: you are getting a woman who fo

← Nächstältere Version		Version vom 1. November 2024, 13:29 Uhr
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	...		...

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		+	==Her evocative quote— "I want you to know, as you read me, ==
		+	precisely who I am and where I am and what is on my mind. I want you to understand exactly what you are getting: you are getting a woman who for some time now has felt radically separated from most of the ideas that seem to interest people. You are getting a woman who, somewhere along the line, misplaced whatever slight faith she ever had in the social contract...in the whole grand pattern of human endeavor"—reflects her introspective and often critical view of the world around her.
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	==JOAN DIDION: Blaue Stunden==		==JOAN DIDION: Blaue Stunden==

Wiki: „Die Angst kommt nicht von dem Verlorenen ... Die Angst kommt von dem, was noch verloren werden kann.“

2024-02-24T20:02:55Z

„Die Angst kommt nicht von dem Verlorenen ... Die Angst kommt von dem, was noch verloren werden kann.“

← Nächstältere Version		Version vom 24. Februar 2024, 20:02 Uhr
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	Joan Didion, from “Why I Write”:		Joan Didion, from “Why I Write”:
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-	Grammar is a piano I play by ear, since I seem to have been out of school the year the rules were mentioned. All I know about grammar is its infinite power. To shift the structure of a sentence alters the meaning of that sentence, as definitely and inflexibly as the position of a camera alters the meaning of the object photographed. Many people know about camera angles now, but not so many know about sentences. The arrangement of the words matters, and the arrangement you want can be found in the picture in your mind. The picture dictates the arrangement. The picture dictates whether this will be a sentence with or without clauses, a sentence that ends hard or a dying-fall sentence, long or short, active or passive. The picture tells you how to arrange the words and the arrangement of the words tells you, or tells me, what’s going on in the picture.
-
-	~~— Joan Didion, Why I Write~~
-
-	~~080622 via fb mikal gilmore~~

	...		...

-	~~To love. To be loved.~~
-	~~To never forget your own insignificance.~~
-	~~To never get used to the unspeakable violence and the vulgar disparity of life around you.~~
-	~~To seek joy in the saddest places.~~
-	~~To pursue beauty to its lair.~~
-	~~To never simplify what is complicated or complicate what is simple.~~
-	~~To respect strength, never power.~~
-	~~Above all, to watch. To try and understand. To never look away.~~

-	~~Arundhati Roy~~	+	===[[Joan Didion]], Why I Write===
-	~~(Book: The Cost of Living https://amzn.to/3wWZUiP)~~	+

-	...	+	Grammar is a piano I play by ear, since I seem to have been out of school the year the rules were mentioned. All I know about grammar is its infinite power. To shift the structure of a sentence alters the meaning of that sentence, as definitely and inflexibly as the position of a camera alters the meaning of the object photographed. Many people know about camera angles now, but not so many know about sentences. The arrangement of the words matters, and the arrangement you want can be found in the picture in your mind. The picture dictates the arrangement. The picture dictates whether this will be a sentence with or without clauses, a sentence that ends hard or a dying-fall sentence, long or short, active or passive. The picture tells you how to arrange the words and the arrangement of the words tells you, or tells me, what’s going on in the picture.

-	~~Gustav Klimt~~, ~~Beethovenfries, Zeichnungen ===~~	+	— Joan Didion, Why I Write
-	~~Annette Vogel, 2010. 144 Seiten mit 100 Farbabb. 26 cm, HIRMER 2010, 3-7774-2881-7~~	+

-	~~...~~	+	080622 via fb mikal gilmore
-		+
-		+
-	~~Sefia lebt in Kelanna===~~	+
-	~~, einem Land, das keine Bücher kennt und in dem~~	+
-	~~niemand lesen kann. Seit ihr Vater ermordet wurde, lebt sie mit ihrer~~	+
-	~~Tante Nin zusammen. Als Nin entführt wird, macht sich Sefia auf die~~	+
-	~~Suche nach ihr. Und die einzige Spur zu ihr ist ein schein nutzloser~~	+
-	~~Gegenstand: ein Buch ...~~	+
-		+
-	* 1 TAO.card für ein katalogisat aus dem eigenen [[OPAC]] ... 100718 k.	+

	...		...

-	~~...~~
-
-	~~“The clearest way into the Universe is through a forest wilderness.” - John Muir~~
-
-	~~...~~

	==JOAN DIDION: Blaue Stunden==		==JOAN DIDION: Blaue Stunden==
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	Jeden Abend in der Dämmerung kommt das „Zurückkehren ins Blaue“, die Erinnerung. Das neue Buch der großen Essayistin Joan Didion über das Alter, die Verluste des Lebens und vor allem den Tod der Tochter.		Jeden Abend in der Dämmerung kommt das „Zurückkehren ins Blaue“, die Erinnerung. Das neue Buch der großen Essayistin Joan Didion über das Alter, die Verluste des Lebens und vor allem den Tod der Tochter.
		+
	„Die Angst kommt nicht von dem Verlorenen ... Die Angst kommt von dem, was noch verloren werden kann.“		„Die Angst kommt nicht von dem Verlorenen ... Die Angst kommt von dem, was noch verloren werden kann.“

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	...		...
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		+	[[Kategorie:Mensch]]

Wiki: ... but to live in it. To look at it. To try to get the picture. To live recklessly. To take chances. To make your own work and take pride in it. To seize the moment." — Joan Didion

2024-01-16T10:28:29Z

... but to live in it. To look at it. To try to get the picture. To live recklessly. To take chances. To make your own work and take pride in it. To seize the moment." — Joan Didion

← Nächstältere Version		Version vom 16. Januar 2024, 10:28 Uhr
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	==JOAN DIDION: Blaue Stunden==		==JOAN DIDION: Blaue Stunden==

-	Roman. ~~Aus dem Amerikanischen übersetzt von Antje Rávic Strubel.~~	+	Roman. Ullstein Verlag, 208 Seiten, € 18,00
-	Ullstein Verlag, 208 Seiten, € 18,00	+

-	Jeden Abend in der Dämmerung kommt das „Zurückkehren ins Blaue“, die Erinnerung. Das neue Buch der großen Essayistin Joan Didion über das Alter, die Verluste des Lebens und vor allem den Tod der Tochter. „Die Angst kommt nicht von dem Verlorenen ... Die Angst kommt von dem, was noch verloren werden kann.“	+	Jeden Abend in der Dämmerung kommt das „Zurückkehren ins Blaue“, die Erinnerung. Das neue Buch der großen Essayistin Joan Didion über das Alter, die Verluste des Lebens und vor allem den Tod der Tochter.
		+	„Die Angst kommt nicht von dem Verlorenen ... Die Angst kommt von dem, was noch verloren werden kann.“
		+
		+	...
		+
		+	"I'm not telling you to make the world better, because I don't think that progress is necessarily part of the package. I'm just telling you to live in it. Not just to endure it, not just to suffer it, not just to pass through it, but to live in it. To look at it. To try to get the picture. To live recklessly. To take chances. To make your own work and take pride in it. To seize the moment." — [[Joan Didion]]

	...		...

Wiki: Joan Didion über das Alter, die Verluste des Lebens und vor allem den Tod der Tochter. „Die Angst kommt nicht von dem Verlorenen ... Die Angst kommt von dem, was noch verloren werden kann.“

2024-01-14T18:13:02Z

Joan Didion über das Alter, die Verluste des Lebens und vor allem den Tod der Tochter. „Die Angst kommt nicht von dem Verlorenen ... Die Angst kommt von dem, was noch verloren werden kann.“

← Nächstältere Version		Version vom 14. Januar 2024, 18:13 Uhr
Zeile 46:		Zeile 46:

	* 1 TAO.card für ein katalogisat aus dem eigenen [[OPAC]] ... 100718 k.		* 1 TAO.card für ein katalogisat aus dem eigenen [[OPAC]] ... 100718 k.
		+
		+	...
		+
		+	...
		+
		+	“The clearest way into the Universe is through a forest wilderness.” - John Muir
		+
		+	...
		+
		+	==JOAN DIDION: Blaue Stunden==
		+
		+	Roman. Aus dem Amerikanischen übersetzt von Antje Rávic Strubel.
		+	Ullstein Verlag, 208 Seiten, € 18,00
		+
		+	Jeden Abend in der Dämmerung kommt das „Zurückkehren ins Blaue“, die Erinnerung. Das neue Buch der großen Essayistin Joan Didion über das Alter, die Verluste des Lebens und vor allem den Tod der Tochter. „Die Angst kommt nicht von dem Verlorenen ... Die Angst kommt von dem, was noch verloren werden kann.“
		+
		+	...

Wiki: ===Joan Didion, Why I Write=== I went to a writing seminar where Didion was the guest speaker. I met her afterward, and asked her about overcoming writer's block. It was a brush with greatness. H

2023-01-19T12:02:52Z

===Joan Didion, Why I Write=== I went to a writing seminar where Didion was the guest speaker. I met her afterward, and asked her about overcoming writer's block. It was a brush with greatness. H

Neue Seite

===[[Joan Didion]], Why I Write===

I went to a writing seminar where Didion was the guest speaker. I met her afterward, and asked her about overcoming writer's block. It was a brush with greatness.
Her advice was sage. She said she doesn't write novels or screenplays or articles. She writes sentences. Don't think about the whole thing, just write one sentence, then another, then another.
I use that advice every day.
I remember when I finished college, I was eating dinner with my mother. She asked me, now that I had a degree in communications, what was I going to be.
I said I wanted to be Joan Didion.
My mom looked perplexed. "I thought you would pick a man," she said.

Joan Didion, from “Why I Write”:

Grammar is a piano I play by ear, since I seem to have been out of school the year the rules were mentioned. All I know about grammar is its infinite power. To shift the structure of a sentence alters the meaning of that sentence, as definitely and inflexibly as the position of a camera alters the meaning of the object photographed. Many people know about camera angles now, but not so many know about sentences. The arrangement of the words matters, and the arrangement you want can be found in the picture in your mind. The picture dictates the arrangement. The picture dictates whether this will be a sentence with or without clauses, a sentence that ends hard or a dying-fall sentence, long or short, active or passive. The picture tells you how to arrange the words and the arrangement of the words tells you, or tells me, what’s going on in the picture.

— Joan Didion, Why I Write

080622 via fb mikal gilmore

...

To love. To be loved.
To never forget your own insignificance.
To never get used to the unspeakable violence and the vulgar disparity of life around you.
To seek joy in the saddest places.
To pursue beauty to its lair.
To never simplify what is complicated or complicate what is simple.
To respect strength, never power.
Above all, to watch. To try and understand. To never look away.

Arundhati Roy
(Book: The Cost of Living https://amzn.to/3wWZUiP)

...

Gustav Klimt, Beethovenfries, Zeichnungen ===
Annette Vogel, 2010. 144 Seiten mit 100 Farbabb. 26 cm, HIRMER 2010, 3-7774-2881-7

...

Sefia lebt in Kelanna===
, einem Land, das keine Bücher kennt und in dem
niemand lesen kann. Seit ihr Vater ermordet wurde, lebt sie mit ihrer
Tante Nin zusammen. Als Nin entführt wird, macht sich Sefia auf die
Suche nach ihr. Und die einzige Spur zu ihr ist ein schein nutzloser
Gegenstand: ein Buch ...

* 1 TAO.card für ein katalogisat aus dem eigenen [[OPAC]] ... 100718 k.