Joan Didion

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(===Joan Didion, Why I Write=== I went to a writing seminar where Didion was the guest speaker. I met her afterward, and asked her about overcoming writer's block. It was a brush with greatness. H)
(Her evocative quote—"I want you to know, as you read me, precisely who I am and where I am and what is on my mind. I want you to understand exactly what you are getting: you are getting a woman who fo)
 
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Joan Didion, from “Why I Write”:
Joan Didion, from “Why I Write”:
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===[[Joan Didion]], Why I Write===
Grammar is a piano I play by ear, since I seem to have been out of school the year the rules were mentioned. All I know about grammar is its infinite power. To shift the structure of a sentence alters the meaning of that sentence, as definitely and inflexibly as the position of a camera alters the meaning of the object photographed. Many people know about camera angles now, but not so many know about sentences. The arrangement of the words matters, and the arrangement you want can be found in the picture in your mind. The picture dictates the arrangement. The picture dictates whether this will be a sentence with or without clauses, a sentence that ends hard or a dying-fall sentence, long or short, active or passive. The picture tells you how to arrange the words and the arrangement of the words tells you, or tells me, what’s going on in the picture.
Grammar is a piano I play by ear, since I seem to have been out of school the year the rules were mentioned. All I know about grammar is its infinite power. To shift the structure of a sentence alters the meaning of that sentence, as definitely and inflexibly as the position of a camera alters the meaning of the object photographed. Many people know about camera angles now, but not so many know about sentences. The arrangement of the words matters, and the arrangement you want can be found in the picture in your mind. The picture dictates the arrangement. The picture dictates whether this will be a sentence with or without clauses, a sentence that ends hard or a dying-fall sentence, long or short, active or passive. The picture tells you how to arrange the words and the arrangement of the words tells you, or tells me, what’s going on in the picture.
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To love. To be loved.
 
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To never forget your own insignificance.
 
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To never get used to the unspeakable violence and the vulgar disparity of life around you.
 
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To seek joy in the saddest places.
 
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To pursue beauty to its lair.
 
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To never simplify what is complicated or complicate what is simple.
 
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To respect strength, never power.
 
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Above all, to watch. To try and understand. To never look away.
 
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Arundhati Roy
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==Her evocative quote— "I want you to know, as you read me, ==
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(Book: The Cost of Living https://amzn.to/3wWZUiP)
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precisely who I am and where I am and what is on my mind. I want you to understand exactly what you are getting: you are getting a woman who for some time now has felt radically separated from most of the ideas that seem to interest people. You are getting a woman who, somewhere along the line, misplaced whatever slight faith she ever had in the social contract...in the whole grand pattern of human endeavor"—reflects her introspective and often critical view of the world around her.
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Gustav Klimt, Beethovenfries, Zeichnungen ===
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==JOAN DIDION: Blaue Stunden==
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Annette Vogel, 2010. 144 Seiten mit 100 Farbabb. 26 cm, HIRMER 2010, 3-7774-2881-7
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Roman. Ullstein Verlag, 208 Seiten, € 18,00
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Jeden Abend in der Dämmerung kommt das „Zurückkehren ins Blaue“, die Erinnerung. Das neue Buch der großen Essayistin Joan Didion über das Alter, die Verluste des Lebens und vor allem den Tod der Tochter.
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„Die Angst kommt nicht von dem Verlorenen ... Die Angst kommt von dem, was noch verloren werden kann.“
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"I'm not telling you to make the world better, because I don't think that progress is necessarily part of the package. I'm just telling you to live in it. Not just to endure it, not just to suffer it, not just to pass through it, but to live in it. To look at it. To try to get the picture. To live recklessly. To take chances. To make your own work and take pride in it. To seize the moment."  — [[Joan Didion]]
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Sefia lebt in Kelanna===
 
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, einem Land, das keine Bücher kennt und in dem
 
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niemand lesen kann. Seit ihr Vater ermordet wurde, lebt sie mit ihrer
 
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Tante Nin zusammen. Als Nin entführt wird, macht sich Sefia auf die
 
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Suche nach ihr. Und die einzige Spur zu ihr ist ein schein nutzloser
 
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Gegenstand: ein Buch ...
 
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* 1 TAO.card für ein katalogisat aus dem eigenen [[OPAC]] ... 100718 k.
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[[Kategorie:Mensch]]

Aktuelle Version vom 1. November 2024, 13:29 Uhr

Inhaltsverzeichnis

Joan Didion, Why I Write

I went to a writing seminar where Didion was the guest speaker. I met her afterward, and asked her about overcoming writer's block. It was a brush with greatness. Her advice was sage. She said she doesn't write novels or screenplays or articles. She writes sentences. Don't think about the whole thing, just write one sentence, then another, then another. I use that advice every day. I remember when I finished college, I was eating dinner with my mother. She asked me, now that I had a degree in communications, what was I going to be. I said I wanted to be Joan Didion. My mom looked perplexed. "I thought you would pick a man," she said.

Joan Didion, from “Why I Write”:

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Joan Didion, Why I Write

Grammar is a piano I play by ear, since I seem to have been out of school the year the rules were mentioned. All I know about grammar is its infinite power. To shift the structure of a sentence alters the meaning of that sentence, as definitely and inflexibly as the position of a camera alters the meaning of the object photographed. Many people know about camera angles now, but not so many know about sentences. The arrangement of the words matters, and the arrangement you want can be found in the picture in your mind. The picture dictates the arrangement. The picture dictates whether this will be a sentence with or without clauses, a sentence that ends hard or a dying-fall sentence, long or short, active or passive. The picture tells you how to arrange the words and the arrangement of the words tells you, or tells me, what’s going on in the picture.

— Joan Didion, Why I Write

080622 via fb mikal gilmore

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Her evocative quote— "I want you to know, as you read me,

precisely who I am and where I am and what is on my mind. I want you to understand exactly what you are getting: you are getting a woman who for some time now has felt radically separated from most of the ideas that seem to interest people. You are getting a woman who, somewhere along the line, misplaced whatever slight faith she ever had in the social contract...in the whole grand pattern of human endeavor"—reflects her introspective and often critical view of the world around her.

...

JOAN DIDION: Blaue Stunden

Roman. Ullstein Verlag, 208 Seiten, € 18,00

Jeden Abend in der Dämmerung kommt das „Zurückkehren ins Blaue“, die Erinnerung. Das neue Buch der großen Essayistin Joan Didion über das Alter, die Verluste des Lebens und vor allem den Tod der Tochter.

„Die Angst kommt nicht von dem Verlorenen ... Die Angst kommt von dem, was noch verloren werden kann.“

...

"I'm not telling you to make the world better, because I don't think that progress is necessarily part of the package. I'm just telling you to live in it. Not just to endure it, not just to suffer it, not just to pass through it, but to live in it. To look at it. To try to get the picture. To live recklessly. To take chances. To make your own work and take pride in it. To seize the moment." — Joan Didion

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