Glenn Gould
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Wiki (Diskussion | Beiträge) (==* 25.09.1922== #bornonthisday) |
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- | =="Recorded in 1982 in New York City, == | + | ==* 25.09.1922== |
- | the following tapes constitute the entire Brahms Ballades and Rhapsodies sessions. | + | |
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+ | ==Glenn Gould - complete Brahms Ballades == | ||
+ | recording session (New York, 1982... | ||
+ | http://youtu.be/NOTsc-Z2BIE | ||
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+ | = | ||
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+ | Brahms Ballades and Rhapsodies == | ||
+ | "Recorded in 1982 in New York City, == | ||
+ | the following tapes constitute the entire | ||
+ | Brahms Ballades and Rhapsodies | ||
+ | sessions. | ||
These were to be Gould's last piano recordings." | These were to be Gould's last piano recordings." | ||
0:00:00 Op.10 No.1 Andante (D minor) | 0:00:00 Op.10 No.1 Andante (D minor) | ||
Zeile 7: | Zeile 19: | ||
3:37:28 Op.10 No.4 Andante con moto (B major) | 3:37:28 Op.10 No.4 Andante con moto (B major) | ||
Tapes 1736 - 1746, Reel 1A-11A | Tapes 1736 - 1746, Reel 1A-11A | ||
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+ | From the | ||
[[Glenn Gould]] | [[Glenn Gould]] | ||
- | Archive | + | Archive - http://www.collectionscanada.gc.ca |
- | + | ==[[Glenn Gould]]: complete Bach recordings == | |
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- | + | ||
- | [[Glenn Gould]]: | + | |
- | complete Bach recordings | + | |
https://youtu.be/GokEz4bbZP4 | https://youtu.be/GokEz4bbZP4 | ||
[[Kategorie:Mensch]] | [[Kategorie:Mensch]] | ||
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+ | ==Glenn Gould Interviews Glenn Gould About Glenn Gould== | ||
+ | |||
+ | I simply feel that the artist should be | ||
+ | granted, both for his sake and | ||
+ | for that of his public - and let me get on record right now the fact that | ||
+ | I'm | ||
+ | not at all happy with words like "public" and "artist"; I'm not happy with | ||
+ | the | ||
+ | hierarchical implications of that kind of terminology - that lie should be | ||
+ | granted anonymity. He should be permitted to operate in secret, as it were, | ||
+ | unconcerned with - or, better still, unaware of - the presumed demands of | ||
+ | the marketplace - which demands, given sufficient indifference on the part | ||
+ | of | ||
+ | a sufficient number of artists, will simply disappear. And given their | ||
+ | disappearance, the artist will then abandon his false sense of "public" | ||
+ | responsibility, and his "public" will relinquish its role of servile | ||
+ | dependency. | ||
+ | |||
+ | Glenn Gould Interviews Glenn Gould About Glenn Gould |
Version vom 25. September 2019, 09:02 Uhr
Inhaltsverzeichnis |
* 25.09.1922
Glenn Gould - complete Brahms Ballades
recording session (New York, 1982... http://youtu.be/NOTsc-Z2BIE
=
Brahms Ballades and Rhapsodies == "Recorded in 1982 in New York City, == the following tapes constitute the entire Brahms Ballades and Rhapsodies sessions. These were to be Gould's last piano recordings." 0:00:00 Op.10 No.1 Andante (D minor) 0:15:22 2:11:27 Op.10 No.2 Andante (D major) 3:02:50 Op.10 No.3 Intermezzo: Allegro (B minor) 3:37:28 Op.10 No.4 Andante con moto (B major) Tapes 1736 - 1746, Reel 1A-11A
From the Glenn Gould Archive - http://www.collectionscanada.gc.ca
Glenn Gould: complete Bach recordings
Glenn Gould Interviews Glenn Gould About Glenn Gould
I simply feel that the artist should be granted, both for his sake and for that of his public - and let me get on record right now the fact that I'm not at all happy with words like "public" and "artist"; I'm not happy with the hierarchical implications of that kind of terminology - that lie should be granted anonymity. He should be permitted to operate in secret, as it were, unconcerned with - or, better still, unaware of - the presumed demands of the marketplace - which demands, given sufficient indifference on the part of a sufficient number of artists, will simply disappear. And given their disappearance, the artist will then abandon his false sense of "public" responsibility, and his "public" will relinquish its role of servile dependency.
Glenn Gould Interviews Glenn Gould About Glenn Gould