Inetbib

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Version vom 31. Juli 2024, 10:57 Uhr

inetbib -- * 1994 + 06.2023

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inetbib via Wikipedia === http://de.wikipedia.org/wiki/INETBIB

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www.ub.uni-dortmund.de/listen/inetbib/msg15940.html 15 Aug 2000 ... Subject: Notiz ueber Herrn Karl Dietz

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Die ungleiche Verteilung des Zugangs zu wiss. Literatur und zu Fachinformationen

beeinflusst die Arbeitsmöglichkeiten und die Lehrtätigkeit von Kunsthistorikerinnen und Kunsthistorikern auf folgenreiche Weise.”

https://blog.arthistoricum.net/beitrag/2020/04/20/stellungnahme-des-verbands-deutscher-kunsthistoriker-zur-versorgung-mit-wissenschaftlicher-literat/

Wikidata: Open Linked Data for Library Publishing

Presentation given at the 2019 Library Publishing Forum, IUPUI ScholarWorks. http://hdl.handle.net/1805/19396

300519 via v.

Facebook group: Bibliotheken für Flüchtlinge

https://www.facebook.com/groups/475670622610198

Otto Neugebauer (1899-1990)

Tibet’s Secret Temple exhibition

presented an astonishing overview of Tantric Buddhist art, showing many rarely seen images, sculptures and manuscripts from museums, institutions and private collections.

When we heard that no catalogue would be printed for this exhibition, we decided to film it as one of our Art Heritage Interviews.

We thus interviewed Ian Baker, the lead curator of the exhibition, about the story of the murals of the Lukhang temple in Lhasa, and about this fascinating time of Asian Art history.

We followed him around the exhibition, unveiling, through a precise and comprehensive presentation of its major artworks, the main characters, concepts, historical moments and legendary stories of this barely known practice of Buddhism.

This 1h15 minutes long free-to-watch-and-share documentary can also be watched part per part ( see the 16 episodes on Art Heritage Interviews or www.artvideolibrary.net )

Main artworks shown :

04:19 : Sir Charles Bell, Temple of the Serpent Spirits or Lukhang, c.1921 (Pitt Rivers Museum) 10:41 : Figure of the sage Patanjali, Bronze, 17th century (Ashmolean Museum) 11:20 : Early Nāga Shrine, Stone, India, 1000 B.C. – 1500 A.D. (Wellcome Collection/Science Museum Group) 11:50 : Garuda, 18th century, Gilded and red lacquered wood (British Museum) 14:00 : Tantric Deities in Union (Yogambara and Jnana Dakini) Tibet, 17th c.(Private Collection) 14:17 : Sculpture of Nāgarāja (Lu Gyalpo), Gilt copper alloy, pigment with semi-precious stone inlay, Tibet,14th century (Private Collection) 15:39 : Sixth Dalaï Lama (Tibet), Contemporary scroll painting by Lhasa Gyamtso 20:49 : Sculpture of Pema Lingpa by Lopon Karma, Thimphu, Bhutan 22:55: Guru Sengye Dadon (Sgras sGog) : One of the Eight Aspects of Padmasambhava in Tantric union with his consort , Yeshe Tsogyal (Newark Museum of Art) 24:40 : Orgyen Dorje Chang, Pigments on cloth, 19th century (Rubin Museum of Art) 24:40 : Tantric Meditation Diagram (Pritzker Collection) 25:32 : Vajra Yogini Shrine Tibet, 19th century (British Museum) 29:05 :”Ornament to the Mind of Medicine Buddha: Blue Beryl Lamp Illuminating Four Tantras”, late 17th century (Rubin Museum of Art, find it on himalayanart.org) 29:25 : ”Ornament to the Mind of Medicine Buddha: Blue Beryl Lamp Illuminating Four Tantras”, late 17th century (Rubin Museum of Art) 29:53 : Three Tibetan anatomical figures, Watercolour, 1904 (Wellcome Collection) 30:43 : Contemporary thangka by Romio Shrestha based on the Blue beryl charts (American Museum National History) 30:54 : “Thod rgal kyis dpe'u ris”, Drawings of examples of Thögal, Tibet, early 20th century (Royal Danish Library) 32:49 : “Ornament to the Mind of Medicine Buddha: Blue Beryl Lamp Illuminating Four Tantras”, late 17th century (Rubin Museum of Art) 33:00 : Chittapatti Skeletons (Rubin Museum of Art) 36:48: Dancing Dakini, Tibet, 18th century (Musée National des Arts Asiatiques Guimet-MNAAG) 39:43 : Mahāsiddha Darikapa (Musée National des Arts Asiatiques Guimet-MNAAG) 40:12 : Mahasiddha Virupa, Cast and gilded brass (gold leaf), China, 1403-1424 (Made) (Victoria and Albert Museum, purchased with support of the Robert H. N. Ho Family Foundation) 41:40 : Skull vessel and brass stand (Wellcome Collection/ Science Museum Group) 42:39 : Mahasiddha Virupa, bronze, Tibet, 15th c. (Solomon Family Collection) 43:10 : Bodhisattva, Tibet 2nd half of the 13th century (Newark Museum of Art) 44:25“Thod rgal kyis dpe'u ris”, Drawings of examples of Thögal », Tibet, early 20th century (Royal Danish Library) 45:14 : Pectoral made of carved human bone (Wellcome Collection/ Science Museum Group) 45:58 : Buddhist Cosmological Scroll, Tibet, 16th century, Pigments on cloth (Rubin Museum of Art) 50:34 : Chakrasamvara, the Wheel of Bliss, 14th century (Rubin Museum of Art) 56:39 : Attributes of Yama Dharmaraj , Distemper on linen, Tibet, 18th-19th century (British Museum) 56:57 : Wooden cabinet (Newark Museum of Art) 57:17 : Yama , ‘Lord of Death’, Embroidered cloth, Tibet, 18th century (British Museum) 01:00:33 : Yamantaka, ‘Vanquisher of Death’, Silver, Tibet, 18th c. (Moketoff Collection) 01:01:20 : Simhamukha, Ground Mineral Pigment on Cotton, 18th century (Rubin Museum of Art) 01:07:16 : Milarepa in a Mountain Cave,Tibet or Bhutan, 18th century (Newark Museum of Art)

Links https://wellcomecollection.org https://www.himalayanart.org https://rubinmuseum.org/collection/about https://www.britishmuseum.org/research https://www.newarkmuseumart.org https://www.guimet.fr https://imagesonline.bl.uk http://collections.ashmolean.org https://www.amnh.org https://www.bild.bundesarchiv.de/dba/en/ https://www.preusmuseum.no/eng https://soeg.kb.dk

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Directed, edited and produced by Matthieu Wolmark Camera : Morgane van Hoobrouck/Matthieu Wolmark Associate Producer : Olga Polunin Production : Biapal

For complete credits, please refer to the end of the film.

Please note that we were not allowed to show or include the photographs of the Lukhang temple murals shown during the exhibition. We’d like to thank Ian Baker, Hon Wai Wai and Hamid Sardar for allowing us to use their photographs of these extraordinary paintings. We’d also like to thank the museums, institutions and private collectors who allowed us to present the other artworks and images you will see in this documentary.

0704 via fb

diverse infos

Vom 4.-7. Juni findet in Hamburg die #BiblioCon24 statt!

Über 3.000 Bibliotheksmitarbeitende diskutieren dann u.a. die Themen Demokratie, Dritte Orte, KI, Informationskompetenz, Leseförderung, Provenienzforschung, Diversität und Personalgewinnung in #Bibliotheken. Eine Übersicht der dbv-Veranstaltungen gibt es auf: https://www.bibliotheksverband.de/bibliocon-2024

covid-19-coronavirus-disease-2019 :: DDC

https://ddc.typepad.com/025431/2020/03/covid-19-coronavirus-disease-2019.html

02 March 2020 COVID-19 (Coronavirus disease 2019) Guest post by Julianne Beall

We hope you are not yet trying to classify books about COVID-19! Why? Because we are not yet sure where to recommend that you class them.

Remember SARS? When we indexed "Severe acute respiratory syndrome—medicine" to 616.2 Diseases of respiratory system, we were following MeSH (Medical Subject Headings). The MeSH heading Severe Acute Respiratory Syndrome has Respiratory Tract Infections as the immediate broader term in the MeSH tree structure.

MeSH has not established a heading for COVID-19, but it has established a MeSH Supplementary Concept record. COVID-19 is mapped to Pneumonia, Viral. If the heading, when it is established, has Pneumonia, Viral as the immediate broader heading, we will index COVID-19 (Disease)—medicine to 616.241 Pneumonia.

The 616 number can be added at various places in the 610s and elsewhere, e.g., interdisciplinary number and social services number for respiratory tract diseases 362.1962, interdisciplinary number and social services number for pneumonia 362.196241; incidence of and public measures to prevent respiratory tract diseases 614.592, incidence of and public measures to prevent pneumonia 614.59241.

Stay tuned!

1303 via mail ... tnx

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“I draw from the absurd three consequences, which are my revolt, my freedom and my passion”. Albert Camus, 1945 interview

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Every time I hear a political speech or I read those of our leaders, I am horrified at having, for years, heard nothing which sounded human. It is always the same words telling the same lies. And the fact that men accept this, that the people’s anger has not destroyed these hollow clowns, strikes me as proof that men attribute no importance to the way they are governed; that they gamble – yes, gamble – with a whole part of their life and their so called 'vital interests'. Albert Camus: Notebooks 1935-1942 https://amzn.to/3PFQkHC

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